Lessons for visual art education – where it's about the process, not the product
Tag: middle school
Description of the Unit –
Observing the distorted gestural figure sculptures of Alberto Giacometti (1901-1966), as well as the elongated, rhythmic figure paintings by Ernie Barnes (1938-2009) that both emphasize and exaggerate long limbs, students will create similarly distorted, gestural sculptures primarily out of wire.
Description of the Unit –
Students will learn about a variety of mixed media collage artists and create their own mixed media collage from thoughtfully compiled items.
(FYI: I have a little video tutorial that I made for my students during the Covid-19 shelter-in-place period that takes this assignment one step further by making it a “secret” collage. Check it out to see what I mean:)
Activity statement –
The term “collage” comes from the French word coller, or “to glue.” Originated by the Cubists, the collages were mixed media assemblages of newsprint, photographs, magazines and books, as well as wood, painted paper and sometimes even three-dimensional objects. For this lesson students will observe and discuss the work of three well-known collage artists, Hannah Hoch, Eileen Agar & Kurt Schwitters, and use their collages as inspiration for their own mixed media collage. However, students will be considering very personal objects and text to include in his or her own collage as each collage will also feature a stylized self-portrait photo.
Description of the Unit –
This is an excellent unit to teach symbolism via imagery. Using their actual profiles in silhouette, middle school students thoughtfully gathered and arranged images and text that they felt represented them in some way, placing them within their silhouettes, allowing us a glimpse into who they are.
The Whimsical Art of Joan Miró
Description of the Unit –
Students discovered the work of Joan Miró (1893-1983), a modern artist who blended thoughtful, “high art” concepts with spontaneous, playful designs that captured the imagination and challenged then-current notions of what constituted “good” art. A Miró tableau employed a muted, sparsely colored background with childlike doodles, geometric shapes and blocks of mostly primary color as foreground.
Guided by a similar sense of play, whimsy and surprise, students reproduced similarly styled, playful designs of their own.
In the K-8 Art Studio with Anita Sagastegui 