Lessons for visual art education – where it's about the process, not the product
Tag: curriculum
Description of the Unit – Inspired by the delightful children’s book Giraffes Can’t Dance by Giles Andreae and illustrated by Guy Parker-Rees, students learned about ways in which movement can be expressed in art, later recreating their own dancing giraffe.
Continue reading “Kindergarten – Understanding movement with “Giraffes can’t Dance” by Giles Andreae & Guy Parker-Rees”
Description of the Unit – Students will observe Henri Rousseau’s paintings of tigers in the jungle with the objective of understanding foreground and background.
Continue reading “3rd Grade – Tigers in the Jungle, inspired by Henri Rousseau”
Description of the Unit – Students observed and discussed the work of contemporary American painter Chuck Close, a technically innovative artist known particularly for his large-scale photo-realist portraits. Students applied Close’s use of a grid to break down a self-portrait into individually colored squares that together create a cohesive whole.
Continue reading “6th Grade – Chuck Close-inspired Self Portraits”
Description of the Unit – This is a purely technical unit that allows students to explore combining watercolor painting techniques with other media.
Description of the Unit –
In this unit, students observed the traditional Japanese art of Notan designs, exploring the relationship between positive and negative space between elaborately cut designs, and how this relationship affects composition, balance and symmetry. Students created their own Notan designs.
Continue reading “7th Grade – Japanese Notan Designs”
Description of the Unit – Students will observe and discuss the work of Frank Stella, focusing particularly on his Protractor series, and will themselves use a protractor to create designs inspired by this series.
Continue reading “6th Grade – Frank Stella, Protractor Series Designs”
Description of the Unit – To support their research of California’s first Americans, students worked in groups to create dioramas representing the lives of a particular tribe (assigned to their group).
Continue reading “4th Grade – Dioramas of Native Californians”
Description of the Unit – A simple yet delightful exploration of symmetry and color, students will create their very own bugs as seen under a “magnifying glass”.
Description of the Unit – Students explore the fascinating shadow puppet art form from Indonesia known as Wayang Kulit. Students then create their own shadow puppets, taking particular care to carve patterns on the puppets’ costumes using negative space.
Description of the Unit – Students will explore the ISO function on their digital cameras so as to understand how it affects exposure, practicing using it and all previously learned functions to take sharp, interesting nighttime photos.
Activity statement – ISO completes the basic triad of camera functions necessary to understand and manipulate your camera in order to get the shot you want. Our objectives are the following:
What is ISO? With analog cameras, ISO represented the film’s sensitivity to light, which was rated via a number, such as 400. The more sensitive the film to light, the higher it’s rating, or number; in photography it was also referred to as the film being “faster”. Film with low ISO was typically used in bright, daytime settings, and so of course the higher ISO’s were used if it was overcast, night, or a darker indoor scene. There was always a compromise, however, as the higher the sensitivity, the grainier the film—meaning the image would actually look grainy and lack sharpness. Additionally, with analog cameras, whatever film sensitivity you were using you would be stuck with until the roll of film was all used.
With digital cameras, one can adjust the ISO at any time. However, if one is not actually using film, why is there still ISO? Well, to the best of my knowledge, when digital cameras first came out manufacturers co-opted ISO to reflect the sensor’s performance level under given light circumstances, so as to give photographers the same options as one once had on analog cameras, when adjusting the aperture and shutter speed just weren’t enough. As with analog cameras, higher ISO’s also produce more noise, however camera technology has been decreasing this outcome over the years.
So, on a digital camera, if your setting is in low light, your preferred aperture and shutter speed might not allow enough light to reach the sensor, and therefore you would need to opt for a higher ISO.
Now that students have had a few weeks to learn about and practice using shutter speed and aperture, I invite them to use them, along with ISO adjustments, to take sharp nighttime images. The images may also involve the use of motion of some kind to blur light. Students should consider either using a tripod, or setting their cameras on a steady surface to reduce the possibility of blur due to handholding the camera.
I love shooting at night, so I give students examples of my own photos and talk to them about the settings I used, the experience I had while shooting each image and what I learned with each.
As always, in class we go on a photo walk to continue to play with our camera’s settings. The nighttime photos will be the assigned homework.
Goals – Students should…
Understand:
Know:
Be able to:
Resources and materials –
Students were assigned the nighttime photography over winter break, so were fortunate enough to take images celebrating the holidays and new year’s eve.
In the K-8 Art Studio with Anita Sagastegui 