
4th Grade – Geometric String Designs

Lessons for visual art education – where it's about the process, not the product
Tag: visual art

Description of the Unit – Students will explore the ISO function on their digital cameras so as to understand how it affects exposure, practicing using it and all previously learned functions to take sharp, interesting nighttime photos.
Activity statement – ISO completes the basic triad of camera functions necessary to understand and manipulate your camera in order to get the shot you want. Our objectives are the following:
What is ISO? With analog cameras, ISO represented the film’s sensitivity to light, which was rated via a number, such as 400. The more sensitive the film to light, the higher it’s rating, or number; in photography it was also referred to as the film being “faster”. Film with low ISO was typically used in bright, daytime settings, and so of course the higher ISO’s were used if it was overcast, night, or a darker indoor scene. There was always a compromise, however, as the higher the sensitivity, the grainier the film—meaning the image would actually look grainy and lack sharpness. Additionally, with analog cameras, whatever film sensitivity you were using you would be stuck with until the roll of film was all used.
With digital cameras, one can adjust the ISO at any time. However, if one is not actually using film, why is there still ISO? Well, to the best of my knowledge, when digital cameras first came out manufacturers co-opted ISO to reflect the sensor’s performance level under given light circumstances, so as to give photographers the same options as one once had on analog cameras, when adjusting the aperture and shutter speed just weren’t enough. As with analog cameras, higher ISO’s also produce more noise, however camera technology has been decreasing this outcome over the years.
So, on a digital camera, if your setting is in low light, your preferred aperture and shutter speed might not allow enough light to reach the sensor, and therefore you would need to opt for a higher ISO.
Now that students have had a few weeks to learn about and practice using shutter speed and aperture, I invite them to use them, along with ISO adjustments, to take sharp nighttime images. The images may also involve the use of motion of some kind to blur light. Students should consider either using a tripod, or setting their cameras on a steady surface to reduce the possibility of blur due to handholding the camera.
I love shooting at night, so I give students examples of my own photos and talk to them about the settings I used, the experience I had while shooting each image and what I learned with each.
As always, in class we go on a photo walk to continue to play with our camera’s settings. The nighttime photos will be the assigned homework.
Goals – Students should…
Understand:
Know:
Be able to:
Resources and materials –
Students were assigned the nighttime photography over winter break, so were fortunate enough to take images celebrating the holidays and new year’s eve.
Description of the Unit – Students will examine and discuss the work of artist Yaacov Agam, and through his inspiration they will create their own Agamograph, a kinetic work of art that transforms from one image to another, depending on the viewers’ perspective.

Activity statement – Yaacov Agam is an Israeli artist best known for his pioneering Kinetic Art. His lenticular prints, or Agamographs, made illusory images appear depending on the audience’s viewpoint. These pieces ask one to contemplate change, progress, time, and our role as observer vs. participant. Students will consider images of concepts, creatures or objects which can shift or change in some way, and incorporate their chosen concept into an Agamograph. To successfully create an Agamograph, students will need to make precise mathematical measurements throughout the entire process. Students will have the choice of coloring in their Agamographs in marker, colored pencil, oil pastel and watercolor (for backgrounds)—or a combination of any or all of these media.



Goals – Students should…
Understand:
Know:
Be able to:
Resources and Materials –
Questions – (first few questions pertain to observing Agam’s work)
Evaluation – Did students:
Informal:
The following are video representations of 6th grade students’ Agamographs:
The following are photos of 6th grade student Agamographs displaying both sides of each piece:




Description of the Unit – Students will conceptualize, design and build props and set pieces for their end-of-year performance. This unit can help anyone who has some kind of event or play to put on and is looking at how students can take full control of the process.
Continue reading “5th Grade – Play Props and Scenery”Description of the Unit – Students will explore Josef Albers’ series Homage to the Square, using his artwork and our discussion as a guide to creating their own series of squares, concentrating on contrast and depth.

Description of the Unit – Students learn about shutter speed manipulation, and how it affects motion and light. Students will experiment with using a variety of shutter speeds to capture still motion and motion blur. Our featured photographer this week is Sebastião Salgado.
Continue reading “8th Grade – Photography Unit, Lesson 3: Shutter Speed & Motion”Description of the Unit – Students will create their own fashion line, featuring at least three different looks that share a unifying theme, be it color, pattern, line or particular article of clothing or accessory.

Description of the Unit – (Not a unit per se, as we only spend a couple of class periods on this.) Students celebrate the arrival of spring by creating Sakura, or Japanese cherry blossoms, in the most amusing way…

Description of the Unit – When I was about eight years old, an uncle of mine returned from working abroad in Jakarta, Indonesia, and brought back a pair of Wayang Golek rod puppets. These two-foot tall dolls both frightened and fascinated me, with their elaborately painted, expressive faces and beautifully dyed, patterned clothes. Many years later I learned that these puppets were related to another Indonesian puppetry art-form: the Wayang Kulit shadow puppets. These puppets are mostly two-dimensional and are manipulated in front of a diaphanous, backlit screen. The puppets themselves have designs and patterns cut into them making them look almost lace-like, adding to the characteristics of individual puppets.
Continue reading “Kindergarten – Halloween Silhouettes”Description of the Unit –
Students will learn about the life and work of artist Stephen Wiltshire. Using his incredibly detailed drawings of buildings and cityscapes, students will create a mini architectural drawing that they will then transfer onto foil.
